Legacy Campaigns: A Fresh Chapter To Continue Your Story

For a lot of us, the idea of completing a full campaign with a single party of characters is the height of gaming accomplishment. And if you've managed to do that, then you might very well want to play a different system or setting entirely as a kind of palate cleanser. But if you're the sort of player (or the sort of Game Master) who enjoys continuity and sequels, then I would recommend considering the idea of a legacy campaign... because they can take a variety of forms, and you can usually tailor them to fit your game, and your players.

As we turn the page, another set of heroes are enmeshed in our tale...

But before I get into the meat of today's post, remember, don't forget to sign up for my newsletter to get all my updates right in your inbox. Also, if you've got a bit of spare cash that you'd like to use to help keep the wheels turning, consider becoming a Patreon patron! Also, be sure you're following all of my followables, check out my LinkTree.

Lastly, for hundreds of extra articles on gaming, weird history, and for more free fiction, check out my Vocal archive, too!

A New Chapter In Your Quest

There are a couple of different ways a legacy campaign can go. First and foremost, it can be the literal legacy of the former PCs, whether it's their children, students they've trained, squires they've knighted, etc. The idea is that the PCs of the last campaign are passing the torch to the new party, providing some kind of continuity between the characters, if not the actual story of the campaign. Alternatively, the legacy might be a continuation of the events and story from the first campaign, but in a different location with different characters who aren't necessarily connected to the characters of the previous campaign. For a quick reference, the connectivity between the Pathfinder adventure paths Shattered Star, Rise of The Runelords, and Return of The Runelords follows this path.

However, it's also possible to combine the two into a single campaign, if that's what you and your players want to do!

I am here to earn my spurs, and to make my father proud.

As I said in The Key To A Sandbox Is To Make Sure It's Populated, And Stuff Is Happening, though, a legacy campaign requires a bit of setup to really sell it!

Now, that doesn't mean the Game Master has to plan a three-campaign series right from the jump. But you do have to have the first campaign planned, plotted, and completed so that you have all the information about what happened during the first story that you can use as a springboard for the second one (and from the second to the third, if you want to be industrious). You need to know which characters completed what deeds, which NPCs lived and died, and which of the villains were sentenced, which ones were slain, and which ones returned to the outer darkness to join their alien masters. And once you have all of that information, you can then properly plan the sequel to that game!

If you're the Game Master, picture yourself as the head of a successful TV series. You received enough of a budget to shoot the first season, so you made something relatively self-contained, but which has the potential for spin-offs and sequels. You finished it, and it was popular enough that your audience wants more. Maybe you had some ideas in mind for where it could go next. Maybe you were just hoping the first season did well enough you could scoot across the line. Either way, with this format, and your very narrow audience, it's a good idea to make sure the first season is as polished and enjoyable as possible before you spend too much time working on the second or third season that you might not even get.

The most important thing, though, is that you need to be sure you have player enthusiasm to see more. Because while the idea of following up a campaign with a legacy sequel might be intriguing (especially if the players get to see the results of the previous game, and hear the tales of their old characters' adventures), it's equally possible that your audience might have been just fine with a one-and-done for that game, that story, or that system. Don't over-invest in making a multi-part story told over several campaigns if you know your players don't have that kind of stamina.

With that said, however, keep in mind that a "campaign" doesn't have to be a years-long, level 1 to level 20 endeavor. A campaign could just as easily be a story that takes characters through a 5 level progression, or even a 10 level progression. As long as the story is complete, the GM reaches the end point, and the plot is solved, that's a full campaign... just make sure you let your players know how long the story will last before you get started so they can plan accordingly!

Game Master Resources

If you're planning on running a legacy campaign, whether it's for a passing of the torch, or you want players to have to deal with further permutations of the threats that were seen and opposed in the first story, I would recommend getting your hands on some of the following supplements:

- I'm Back! 25 Reasons For A Villain's Survival: Whether it's the big bad they thought was defeated, a hated henchman, or even an ally they thought was dead, this book can be fun for more continuity.

- 100 Character Goals and Motivations: Good for your players to take a flip through, but very important for understanding the motivations and machinations of your game's villains.

- 100 Dark Secrets: Something that can put allied NPCs into a different context, and which could provide something deeper to find for your villains, can also be good for giving your PCs something to keep under wraps.

- 100 Tips & Tricks For Being A Better Dungeon Master: A supplement that collects a majority of the good advice I've covered here on this blog to help make your games the best they can be.

Like, Follow, and Stay in Touch!

That's all for this week's Moon Pope Monday. To stay on top of all my content and releases, make sure you subscribe to my newsletter at the bottom of the page!

Again, for more of my work, check out my Vocal archive, and stop by the Azukail Games YouTube channel, or my additional audio dramas over on The A.L.I.C.E. Files! Or if you'd prefer to read some of my books, like my dystopian sci-fi thriller Old Soldiers, my hardboiled gangland noir series starring a bruiser of a Maine Coon with Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife or my latest short story collection The Rejects, then head over to My Amazon Author Page!

To stay on top of all my latest releases, follow me on Blue Sky, Facebook, Tumblr, Twitter, and now Pinterest as well! To support my work, consider Buying Me a Ko-Fi, or heading to The Literary Mercenary's Patreon page to become a regular, monthly patron. That one helps ensure you get more Improved Initiative, and it means you'll get my regular, monthly giveaways as a bonus!

"Exalted" Makes Its Way To The A.L.I.C.E. Files

Regulars on this blog likely know that in addition to writing RPGs, novels, and short stories, I also do a fair bit of work with audio dramas and dramatic readings. It's why earlier this year, in partnership with Alice Liddell, I was part of the launch of the ongoing audio drama channel The A.L.I.C.E. Files over on YouTube. While most of the episodes we've put out so far have been dramatizations of original fiction by Alice and myself, and narrations for public domain stories, we recently provided a glimpse into a fan story set in the world of Exalted, using the Dark Pack agreement.

But how File 006 - The Butcher's Toll came to be is almost as interesting as the story itself... so I wanted to take a moment to tell everyone the background of this tale, and let you know how you can expand the story of Barabbas the Butcher if you enjoy this little glimpse of his adventures.

Before we get into the nitty gritty this week, don't forget to sign up for my bi-weekly newsletter to get all my updates right in your inbox. Also, if you've got a bit of spare cash that you'd like to use to help keep the wheels turning, consider becoming a Patreon patron! Also, be sure you're following all of my followables, check out my LinkTree.

Lastly, for hundreds of extra articles on gaming, weird history, and for more free fiction, check out my Vocal archive, too!

Try It, You Might Like It!

I have played a lot of different games in my time, but generally speaking I'm not a huge fan of wuxia RPGs, and I'm not a big fan of games where the PCs are mythical in terms of their power. Knowing that, you'd think that Exalted, as a game, really wouldn't do it for me... after all, what I just described is kind of the game's meat and potatoes.

However, Exalted (and specifically Exalted 2nd Edition) is a good friend of mine's favorite game (or, at least, one of their top favorites), and they were determined to find some way to share this experience with me. I wanted to find some way over the barrier, as well, because I knew a lot of folks who enjoyed Exalted, but everything I found about it just left me kind of struggling to find purchase.

Until, that was, my friend handed me the book Manual of Exalted Power: The Infernals.

This cover doesn't do justice to how messed up this content is.

This was the book that unlocked my interest. Because while I found the fallen magitech setting of Creation interesting, the standard solar exalted just weren't really grabbing my attention. Ditto for the lunars, the sidereals, and even the alchemicals. But the idea that mutilated gods that had been banished to hell, twisted into terrible, broken reflections of what they once were, stole some the solar exalted souls and wrenched them into corrupted weapons to set loose upon the world to reclaim it again in their name... well, now that was something I could get behind!

However, while I read the base book and the infernal book cover-to-cover (not an easy or pleasant experience on a screen), I felt the need to create a character who didn't have some great, grand destiny. Someone down-to-earth, who would have been happy to live a simple life, had circumstances gone differently. Someone that the world wronged, and let down.

And thus Barabbas was born.

A simple butcher, he lived with his wife, his son, and his daughter. When the servants of a Death Lord assaulted his village, and kidnapped his sister-in-law (among other folk), he took up his hewing tool to try to save them. When one of the dragon blooded came with his men, he thought they'd been rescued. Instead of helping the people of the village, the dragon blooded had the survivors all thrown in irons, and the village burned. Torn from the rest of his family, Barabbas was condemned to a mine. He led a failed uprising, and was the be painfully tortured and executed in front of the other slaves.

 

So when a servant of Malfeas, the broken king of hell, offered Barabbas power, he took it without a second's hesitation.

I was so proud of this character, and his tale, that I made an audio introduction to share with the rest of the players. I had been planning on doing the same for other folks who were interested so we could have a bit of a sizzle reel. And while we had the first few sessions of the game, sadly, it had to go on hiatus almost as soon as it began.

But That Doesn't Mean The Story Ends There

It's been years since I put Barabbas together, and I have copious notes about his tale. His journey through hell, which of the yozi that he spoke to, and which of them gave him gifts that he accepted. I have details about the places he went, the allies he gathered, and even about what his war against slavery would become as he tears apart Creation in search of his wife and children. The vibe I was going for was Conan by way of The Incredible Hulk, if he was powered by hell, with a heavy dash of Journey to The West.

And if that sounds like a story you'd want to hear, then there are steps you can take to make it happen!

Do I have your attention?

File 006 is what's called an "orphan" file by the Carroll Institute... to translate that for the audience, these "orphans" represent possible starts to a longer series of stories, should folks want to know more.

This could go a number of different ways. For instance, further reports could happen in the series canon, dropping every now and again when Alice is in the office and reviewing material from the archive. Alternatively, we could put the stories together as a side project that goes up between seasons of the main plot. We could even give the series its own slot, much like how Alice's Adventures in Wonderland currently has a chapter-by-chapter playlist.

A lot of that, though, is going to depend on what you want as our audience!

So if you are someone who would like more than just this little sample of Barabbas's story, here's what you need to do to make sure we hear you, and have the resources to make it happen:

- Subscribe to The A.L.I.C.E. Files

- Upvote The Butcher's Toll

- Leave a comment on the video telling us you want a sequel

- Share the video on your own social media pages, and tell your friends about the show

Sadly, we're a long way off from the 1,000 subscribers and 4,000 watch hours we would need to get the channel fully monetized. But, in fairness, if The Butcher's Toll can get 17,000 views, I'm pretty sure that would put us over both goals quite smoothly.

And if that happens, we'll basically be free to write, record, and edit whatever kind of episodes you all want to hear!

Like, Follow, and Stay in Touch!

That's all for this week's Table Talk. To stay on top of all my content and releases, make sure you subscribe to my newsletter at the bottom of the page!

Again, for more of my work, check out my Vocal archive, and stop by the Azukail Games YouTube channel, or my more involved audio drama channel The A.L.I.C.E. Files! Or if you'd prefer to read some of my books, like my dystopian sci-fi thriller Old Soldiers, my hardboiled gangland noir series starring a bruiser of a Maine Coon with Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife or my latest short story collection The Rejects, then head over to My Amazon Author Page!

To stay on top of all my latest releases, follow me on Blue Sky, Facebook, Tumblr, Twitter, and now Pinterest as well! To support my work, consider Buying Me a Ko-Fi, or heading to The Literary Mercenary's Patreon page to become a regular, monthly patron. That one helps ensure you get more Improved Initiative, and it means you'll get my regular, monthly giveaways as a bonus!

My Monthly Patreon Shout Out (And A Signal Boost For Fellow Creators)

It has been one hell of a June/July, and I'm trying to juggle a lot of crises. Still, with that said, I wanted to make sure I gave my shout-outs to all the folks who help me keep my bills paid over on Patreon, and anyone who would like to find themselves on this shout-out list should go to my Patreon page and pledge at least $10 a month to help me keep this blog (as well as my sister blog The Literary Mercenary) up and running!

 

So, a big thank you to:

- Chris Dundon, my newest patron (To Valhalla, my friend!)

- Brenton Ayres (You're doing more than your part to keep the wheels turning!)

- Tracy Bailey-Mathews (Hopefully some of what I write is helping with the campaign!)

- Joy Von Holle (One of my oldest and most appreciated supporters on this list!)

In addition to this shout out, though, I wanted to take a moment to signal boost a couple of folks out there who could really use your help. So if you have some spare time to push a couple of buttons, watch a few videos, or subscribe to a new Patreon or two, please keep reading!

Because everything is rough, and the wheels don't stop just because we're tired.

But before I get into the meat of today's post, remember, don't forget to sign up for my newsletter to get all my updates right in your inbox. Also, if you've got a bit of spare cash that you'd like to use to help keep the wheels turning, consider becoming a Patreon patron! Also, be sure you're following all of my followables, check out my LinkTree.

Lastly, for hundreds of extra articles on gaming, weird history, and for more free fiction, check out my Vocal archive, too!

Creators Who Could Use A Lifeline

While I'm still very much on the scramble (and it seems like every time I turn around there's some new bill I have to pay with money I was planning on saving), I want to take a moment to shine the spotlight onto two creators who could really use a hand up.

The first is my partner, Alice Liddell. Alice works with me on the YouTube channel The A.L.I.C.E. Files, we've done many conventions together, and I was the one who introduced her to Azukail Games where she's published supplements like 100 Dangerous Plants or the tome that is 100 Stat Boost Potion Recipes (it's the length of a full novel, so be aware that's what you're getting when you see the price tag).

However, in the recent storms that swept over the Midwest, the basement she lives in was flooded. This damaged a lot of her stuff, and it has drastically disrupted her ability to work as the place is dried out, she tries to salvage what she can, and to figure out how she's going to get back up on her feet.

So if you're out there, please consider checking out any of Alice's RPG supplements, buying some of her books found on her Amazon author page, or just buying her a Ko-Fi so she can keep her bills paid during this recovery period.

And if you don't have spare dosh lying around, Alice is trying to get several of her free content streams monetized. So in addition to subscribing to (and watching) The A.L.I.C.E. Files, consider checking out her author YouTube channel Alice The Author where she talks about what goes on behind the screen, as well as her gaming YouTube channel KHR Arts, and stop in to say hi on Twitch as well! It might be a while before she streams again, but as soon as the environment allows, she'll be back to it!

The other person I want to give a shout out to is Owen K.C. Stephens. For folks who don't know, he's one of the more established folks in the gaming industry, and you'll find his name on Pathfinder, Starfinder, and dozens of other games, as well as hundreds of other supplements. He's been fighting with a lot of physical ailments (cancer was chief among them until recently), and he's also had to recover from flooding and other home damage.

So, if you'd like to help Owen pay his bills and keep what he has so he can continue making the kinds of games we enjoy, consider hitting him up on Patreon, or even getting yourself a copy of the Owen Stephens Summer of Survival TTRPG bundle if you haven't done so yet! And if you've done all of that, but still want to help out, Owen also has a YouTube channel of his own, which you should subscribe to and watch to get his numbers up.

Like, Follow, and Stay in Touch!

That's all for this week's Moon Pope Monday. To stay on top of all my content and releases, make sure you subscribe to my newsletter at the bottom of the page!

Again, for more of my work, check out my Vocal archive, and stop by the Azukail Games YouTube channel, or my additional audio dramas over on The A.L.I.C.E. Files! Or if you'd prefer to read some of my books, like my dystopian sci-fi thriller Old Soldiers, my hardboiled gangland noir series starring a bruiser of a Maine Coon with Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife or my latest short story collection The Rejects, then head over to My Amazon Author Page!

To stay on top of all my latest releases, follow me on Blue Sky, Facebook, Tumblr, Twitter, and now Pinterest as well! To support my work, consider Buying Me a Ko-Fi, or heading to The Literary Mercenary's Patreon page to become a regular, monthly patron. That one helps ensure you get more Improved Initiative, and it means you'll get my regular, monthly giveaways as a bonus!

"Sundara: Dawn of a New Age" Is Finally Getting Some Adventure Modules!

It's been several years since my fantasy RPG setting Sundara: Dawn of a New Age debuted with the first supplement, Cities of Sundara: Ironfire for Pathfinder. Since then there's been dozens of supplements covering cities, species, gods, cults, mercenary companies, and more, and well over a quarter million words have gone into building up this world (and that's just my contributions). One of the things we haven't released, though, has been adventure modules.

Until today, that is! Which is why I wanted to write this little update to let folks know that Isaiah Burt's module The Invocation of Bael-Kharn is now live on Drive Thru RPG and ready for you to play!

So check it out, and give this setting a look for yourself!

But before I get into the meat of today's post, remember, don't forget to sign up for my newsletter to get all my updates right in your inbox. Also, if you've got a bit of spare cash that you'd like to use to help keep the wheels turning, consider becoming a Patreon patron! Also, be sure you're following all of my followables, check out my LinkTree.

Lastly, for hundreds of extra articles on gaming, weird history, and for more free fiction, check out my Vocal archive, too!

A Call To Adventure in The City of Steel!

To begin at the beginning, this module is for a party of characters ranging from level 6 to level 8, and it uses the Pathfinder Classic system. According to the preview, an elf who has been working for centuries to bring down the vaunted City of Steel may be moving closer to her goal. And while there are enough mercenaries and alchemists in Ironfire to win most wars, all the weapons in the world will do one no good if you can't see the threat coming, and you don't understand where to aim them.

I don't want to give more than that away, because I want as many folks as possible to discover the world of Sundara, and this adventure, as they explore what's been presented. However, with that said, I would recommend checking out some of Isaiah's other contributions to the setting that will be great supplements to have on-hand for this module (at least for the Game Master): Settlements of The Dragonsbreath Mountains, 100 Lizardfolk of Sundara, and his novella Legacy of Flames, all of which provide solid support right alongside the initial Cities of Sundara: Ironfire book, and the companion piece 100 Whispers & Rumors For Ironfire, The City of Steel.

And for folks who want a rapid rundown, I talked about the City of Steel a few years back when I was in exile at a hotel. So consider checking out the video to see if this is something that will perk your interest!

Why Did It Take So Long For Modules To Start Dropping?

Folks have been trying to get me to write modules for Sundara almost since it started releasing going on 3 years ago. So why is this adventure the first one that we're seeing? Well, there are a lot of reasons for that, and I wanted to explain them to folks here so you all know the score.

First and foremost, adventure modules are overall one of the worst-selling types of supplements on the market. There are modules that do well, and there are writers out there who move a lot of copies of them... but that's like saying that because there are a few bestselling novelists that everyone who wrote a book is paying their bills. A lot of GMs outright refuse to use modules, so a majority of them languish, unseen, and unplayed.

Secondly, modules are hard as hell to write. You're basically writing a short story, with math, and you have to try to provide a wide list of things that individual players may choose to do so the GM has alternate paths available to them.

Thirdly, modules require more supplemental material than other kinds of RPG products. There's the interior art, the maps, the covers... all of that adds up over time. And while most writers have the ability or resources to some of the things a module requires, most of us do not have the ability to do all of those things.

And when you spread minuscule profits across a team of people... well...

Now, I will be the first to tell you there is another adventure module for Sundara coming down the pipe from yours truly... however, it comes with a catch. Because the publisher doesn't want to take a loss on producing modules (again, I do not own Azukail Games, they just publish a lot of my work), I'm accepting a smaller, up-front fee to get this thing published. However, if you want to see more modules for Sundara (or just more modules in general from Isaiah and myself), then make sure the numbers are doing some serious talking! Because if these modules sell a hundred copies (or even a few hundred copies) that is saying a lot in the TTRPG world... and a product that has a proven audience is a lot more likely to get approved in the future.

Lastly, if you've already picked up Isaiah's adventure, consider checking out some of the following from myself:

DND 5E Adventures

 

- The Ghosts of Sorrow Marsh - A trudge through a swamp full of terrors to save a small town

- False Valor - A murder mystery where the party must solve a killing to prevent a war

- The Curse of Sapphire Lake - Beowulf meets Friday the 13th in a frontier settlement to the north

- The Price of Iron - A single night watching a warehouse turns deadly when dark fey arrive

Army Men Mission Modules

 

- A Night At Breckon's Beacon - The search for a missing squad gets deadly on a stormy night

- Assault On Outpost 13 - Can the squad keep hold of a prisoner when an entire gang wants him freed?

Victorian Gothic

- Dreadful Tales - A collection of 3 short adventures for this percentile-based system for Victorian horror

Like, Follow, and Stay in Touch!

That's all for this week's Moon Pope Monday. To stay on top of all my content and releases, make sure you subscribe to my newsletter at the bottom of the page!

Again, for more of my work, check out my Vocal archive, and stop by the Azukail Games YouTube channel, or my additional audio dramas over on The A.L.I.C.E. Files! Or if you'd prefer to read some of my books, like my dystopian sci-fi thriller Old Soldiers, my hardboiled gangland noir series starring a bruiser of a Maine Coon with Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife or my latest short story collection The Rejects, then head over to My Amazon Author Page!

To stay on top of all my latest releases, follow me on Blue Sky, Facebook, Tumblr, Twitter, and now Pinterest as well! To support my work, consider Buying Me a Ko-Fi, or heading to The Literary Mercenary's Patreon page to become a regular, monthly patron. That one helps ensure you get more Improved Initiative, and it means you'll get my regular, monthly giveaways as a bonus!

What Is Your Character's Relationship History (And How Has That Affected Them)?

Let's be honest with ourselves, there has always been a streak of romance in a lot of RPGs. Whether it was the relatively chaste quest to prove oneself worthy to wed the princess like something out of an Arthurian story, or the party heading down to the local brothel to spend a sack of coin they earned from their last bounty, the elements have always been present. However, that isn't what I'm talking about today. Because even if you're playing an RPG where you don't want romance-related plots (to say nothing of the more explicit content that exists in games like Lewd Dungeon Adventures or Foreplay: An Erotic Storytelling Game), it's worth asking what kinds of romantic experiences your character has had, and how that's shaped them over their lifetime.

Look, I'm telling you, make the proposal special. Trust me, I speak from experience.

As always, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Also, if you've got a bit of spare cash that you'd like to use to help keep the wheels turning, consider becoming a Patreon patron! Also, be sure you're following all of my followables, check out my LinkTree.

Lastly, for hundreds of extra articles on gaming, weird history, and for more free fiction, check out my Vocal archive, too!

It's Part Of Your Path (Even If The Character Lacks Experience)

Whatever character you're playing, however strange, unusual, or perfectly plain they are, take a moment and ask yourself what kinds of romantic relationships or entanglements they've had, and how that has affected them as a person. And, before folks start typing in the comments that they don't need to think about their character's sexual history when making a dungeon crawler, that isn't what I'm talking about. Specifically ask what kind of relationships your character has had, what this says about them, and how it affects their outlook. Good or bad, abusive or loving, it will leave a mark on them.

As an example, take the archetype of the fresh-faced fighter. We'll even go the extra mile, and make him a farm boy hero with dreams of glory. If his whole romantic experience up until the time he leaves to go on an adventure, or perhaps to join the militia, is just reading fairy tales about happily ever afters then he's not going to have a frame of reference in mind for when he encounters people out in the world. What will he do when the bard tries to wingman him with the bar keep? How will he react of a noblewoman tries to twist him around her finger? What will he do if he encounters a succubus?

Now ask how that same character would be different if he had a girl back home that he's planning to come back to. He loves her very much, sends letters and money when he can, and he's out trying to make good, and to prove to her father that he can provide for her. What if this character was older, served time in the militia or the army, retired, got married, and now he's a widower who has to find a new way to earn a living, but can't stay in that home with all its memories?

 

She's in every brick of that place... I can't even sleep there anymore.

The types of relationships a character has had, the experience that's garnered them, and what kind of person that's made them into, is an often-overlooked aspect of their history... hence why it's worth thinking about. And the more unusual the character, the more unusual their frame of reference might be.

For example, did a bard master her song as a way to serenade a boy she was infatuated with, but he was betrothed to another? Did that rejection lead her to keep her future relationships shallow and physical, never letting someone get really close to her emotional core? Did the paladin swear an oath of chastity when he first took up the sword, and so all relationships must be physically chaste (even if he might be sorely tested)? Does the cleric serve a love god, and so they are intimately familiar with a variety of relationship styles and troubles, often acting as match maker or counselor? And has this helped their own relationships, or made it even more difficult for them? Does the barbarian come from a tribe where polyamory is normal (like the Takatori dwarves in my Species of Sundara supplement for both DND 5E and Pathfinder Classic), and thus they are used to a completely different relationship dynamic than more "civilized" folk, making mistakes and unintentionally insulting people because they don't understand one another's expectations?

There's no need to make a big deal out of the character's relationship history, but it can be an interesting or fun little mix-in for your game. For example, if your bounty hunter ranger is always talking about the one that got away, it might be a fun little twist that she's been hunting for her ex, who also happens to have a sizable reward on her head. Doubly so if she stole something expensive, hoping the ranger would come after her, because she was too awkward or scared to talk about her feelings. If the halfling rogue is always talking about his wife back home in terms that makes her seem dainty, soft, and delicate, but then the party meets said wife to find out she's a full-blooded orc who will destroy anything that comes between her and her husband, that juxtaposition can be fun and amusing. And if the grim-faced cleric of the death goddess melts whenever there are kids present, finding out that he and his wife never had a chance to have their own before she passed of a fever can add a dimension to him that the rest of the party didn't expect, and it adds a tragic, human side of him that he might keep under wraps until he truly trusts someone.

Which is why this aspect is worth thinking about. Because even if romance isn't a driving force behind a character, their experience with it, and desire for it (or the lack thereof), will be part of what has shaped them up until the point where they hit the mat.

Also, if you are looking for inclusions of something that is definitely going to be an adult element in a game (but which doesn't actually have any explicit content in it), then I'd recommend checking out the following series of supplements by yours truly:

- World's Oldest Profession: A Baker's Dozen of Brothels

- World's Oldest Profession: 100 Courtesans and Concubines

- World's Oldest Profession: 100 Rumors To Hear in a Brothel

- World's Oldest Profession: 100 Titillating Titles To Find in a Lewd Library

Like, Follow, and Stay in Touch!

That's all for this week's Fluff post. To stay on top of all my content and releases, make sure you subscribe to my newsletter at the bottom of the page!

Again, for more of my work, check out my Vocal archive, and stop by the Azukail Games YouTube channel, or the dark sci fi saga of The A.L.I.C.E. Files! Or if you'd prefer to read some of my books, like my dystopian sci-fi thriller Old Soldiers, my hardboiled gangland noir series starring a bruiser of a Maine Coon with Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife or my latest short story collection The Rejects, then head over to My Amazon Author Page!

To stay on top of all my latest releases, follow me on Blue Sky, Facebook, Tumblr, Twitter, and now Pinterest as well! To support my work, consider Buying Me a Ko-Fi, or heading to The Literary Mercenary's Patreon page to become a regular, monthly patron. That one helps ensure you get more Improved Initiative, and it means you'll get my regular, monthly giveaways as a bonus!

Avoid The Algorithm, And Follow Me Directly! (Troubleshooting Current Social Media Setbacks)

Folks who have been watching my saga recently (detailed in my post Another Social Media Struggle (Reddit Has Decided To Kick Me In The Teeth, And I Could Use Some Help)) have likely noticed that one of the major challenges that every creator in the world is dealing with is that we simply cannot reach our potential audience. And the reason we can't seem to reach people is because the social media sites and groups that used to help us connect are now throttling our signals, restricting our ability to post, and trusting to bots to determine what kind of posts are allowed, and when an account needs to be shut off... even when it's wrong.

And while I'm taking several steps at present (seeking out new Discords that might appreciate my work, coming up with a fresh Reddit strategy, trying to figure out why the hell Facebook stops me from making posts anywhere but my own personal pages, etc.), there is one thing that I would like all of you reading this to do for me. I would like you to please go to my Patreon and my Ko-Fi pages, and subscribe/follow me there.

 

If you want to tip me or support me for what I'm doing, I appreciate that. But mostly I'm going to be using those accounts a LOT more, because they seem to be some of the only places that I can actually let people who enjoy my work see what the hell it is I'm making.

Because a lot of what I'm putting out is getting lost in the screaming void, and I'd like you to see it.

But before I get into the meat of today's post, remember, don't forget to sign up for my newsletter to get all my updates right in your inbox. Also, if you've got a bit of spare cash that you'd like to use to help keep the wheels turning, consider becoming a Patreon patron! Also, be sure you're following all of my followables, check out my LinkTree.

Lastly, for hundreds of extra articles on gaming, weird history, and for more free fiction, check out my Vocal archive, too!

You Get A Direct Feed (And It's Technically Free)!

The entire point of social media, from a creator's perspective, is to connect you with your audience, and your potential audience. As someone whose hair is more gray than not these days, I remember when it basically did this, too. I've quoted the numbers before, but a decade or so ago I could get hundreds of impressions from Facebook, thousands from Reddit, and tens of thousands on a good day from Digg or Stumbleupon (both of which have gone down into the dark depths of websites murdered by AI slop). These days, though, it feels like the same 17 people see all my posts on whatever social media I'm part of, and when I do manage to fly through the storm of algorithm interference it's like trying to get an emergency message to someone through a time machine.

Dearest Allies, I request your aid in this time of dire need...

Which is why I wanted to take this week's post to ask everyone who made it this far to follow me on Patreon and Ko-Fi. Because while both of those are crowdfunding websites, you can follow me for free on both of them, and get notified when I share things on them (it's usually once or twice a day in the evenings, so not a huge inbox stuffer). And I'm asking this because, just like my newsletter that I mentioned above, it's one of the only ways for you to actually see and hear what I'm doing without the algorithm getting in the way, waiting for moderators to approve a post (which can take hours, days, or weeks), or depending on your For You Page to decide that you get to see stuff that I've made, as opposed to your 19th advertisement of the day.

 

My hope is that if I can get enough folks onboard with this request that I can get direct feedback from people who want to be in my audience the way that I used to on the sites that have slammed all their doors, and which are burying creators under restrictions and inertia. Because I post dozens of things (sometimes as much as a hundred posts or more) every day... and there are a lot of people who have tried to follow me who just don't hear about it because the algorithm won't slide it into their feeds.

 

So get a direct line, and let me know what you think of my work today!

 

Lastly, speaking of Reddit, there are two subreddits that I moderate that I would like to invite folks to. I am the moderator of Tabletop Homebrew! So if you have things you'd like to share, or if you want to see the sort of things creators are making and sharing, stop in, get comfortable, and take a look around. We'd be happy to have you.

Like, Follow, and Stay in Touch!

That's all for this week's Moon Pope Monday. To stay on top of all my content and releases, make sure you subscribe to my newsletter at the bottom of the page!

Again, for more of my work, check out my Vocal archive, and stop by the Azukail Games YouTube channel, or my additional audio dramas over on The A.L.I.C.E. Files! Or if you'd prefer to read some of my books, like my dystopian sci-fi thriller Old Soldiers, my hardboiled gangland noir series starring a bruiser of a Maine Coon with Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife or my latest short story collection The Rejects, then head over to My Amazon Author Page!

To stay on top of all my latest releases, follow me on Blue Sky, Facebook, Tumblr, Twitter, and now Pinterest as well! To support my work, consider Buying Me a Ko-Fi, or heading to The Literary Mercenary's Patreon page to become a regular, monthly patron. That one helps ensure you get more Improved Initiative, and it means you'll get my regular, monthly giveaways as a bonus!

The Key To A Sandbox Is To Make Sure It's Populated, And Stuff Is Happening

One of the biggest complaints I hear from players is that they want to play in campaigns and settings where they feel like they have freedom and autonomy, and not that they're going to be put on rails and driven toward the Game Master's predetermined destination. The opposite end of that setting is, of course, the sandbox game. This is where players are plopped down into the game world, and they are free to explore, take up quests, meet NPCs, and get tangled up in whatever webs they please.

The thing is, for a sandbox to work, a Game Master has to actually populate it with stuff for the players to interact with, and events to take part in... otherwise you end up with a ghost town.

Also, if this subject interests you, then I highly recommend checking out River Games: Somewhere Between The Sandbox And The Railroad.

Between all these grains of sand, there should actually be stuff.

As always, don't forget to sign up for my weekly newsletter to get all my updates right in your inbox. Also, if you've got a bit of spare cash that you'd like to use to help keep the wheels turning, consider becoming a Patreon patron! Also, be sure you're following all of my followables, check out my LinkTree.

Lastly, for hundreds of extra articles on gaming, weird history, and for more free fiction, check out my Vocal archive, too!

Load Up The Sandbox, And They'll Never Run Out Of Things To Do

As someone who has run both linear games where there's a direct through line where the game starts and ends, as well as someone who has put together a handful of sandboxes, I can tell you that the latter take ten times as much time, energy, and effort to set up. This isn't just because you have to populate the world with NPCs, plot hooks, news, rumors, loot, dungeons, and more... you have to do that for a linear progression game as well. The difference is that for a sandbox you have to have more of everything, because you have no way of knowing what your players are going to do, or what direction they're going to go in.

Sandbox GMs are a majority of my readers.

Think about it for a second. If you're going to run a linear plot, you have a series of events that take your players from Point A, to Point B, to Point C, dragging them along a pathway toward the eventual showdown with the campaign's big bad. But if you are running a game where you simply set the world in motion, then turn your players loose, you need to have significantly more stuff for them to do, people to talk to, and happenings to get involved with!

For example, in a linear game, you might have one bar with plot-relevant characters, a couple of town guardsman with actual information worth delivering, and a series of dungeons where encounters will take place... but for a sandbox, you need to have that kind of setup for a wider variety of decisions the players might make. Not only that, but there's going to be a ticking time clock on events, because what the players choose to get involved with, and what they choose not to get involved with, can affect the machinery of the world.

Consider the town of Timbersong. It's a small port town with half a dozen fishermen and some traders and travelers. There's a lumber operation there (or at least there used to be), and most people who come up that way do so for the hot springs, or to look for work in the growing boom town and its surrounding farms. And there are dozens of things that can be done in this location, including:

- Taking on work at the Hardwick Agency as a private guard

- Examine the Palatine Spring, and the rumors of something unusual there

- Go into the old growth forest in search of treasure, ruins, or monsters

- Talk to sailors coming in from the sea to hear about rumors of pirates attacking coastal towns

- Escort a caravan down to the next town

- Take passage on a ship to go further along the coast

Now, if this was a linear game, you might have a specific idea of what you want your players to do. Hopefully they get hired by the detective agency, which then sends them to deal with something that's been seen out in the woods. They uncover an ancient cult, tie that to the springs, and realize the healing waters are drawn from an ancient genius loci. They form a pact with that spirit, and the old rituals are kept up to appease it, ensuring the town can grow around it. At that point the PCs leave Timbersong either by road or by ship to move onto the next town, and the next set of rumors, happenings, and people.

But that's one set of events. And sure, the PCs might take that specific bait and follow those particular events, but what if they step off that path? What if they instead want to try to recruit one of the odd cats that roam the town, either as a pet, or to have a familiar? What if they want to immediately go pirate hunting, trying to figure out if there are bounties and rewards for those who slay buccaneers, and trying to find a captain to take them on this errand? What if they take on tasks from Marlena Racks who needs surveys taken along the coast so she can draw accurate maps? What if, what it, what if...

None of these are random, either. Timbersong is one of the towns in my supplement 10 Fantasy Villages, and it's jammed with stuff like the above suggestions to give Game Masters an edge on laying the ground work for a localized sandbox.

Having a linear game means you have a single chain of events, more or less. There are likely a few side quests here and there, but nothing outside of the important main line is going to get really fleshed out. It's that old situation where there's one clearly important NPC in the bar, and while you can talk to other folk, that individual is the one with the information that's going to move the story along.

But if you have a sandbox game, you need to have either multiple chains of events that all branch off on their own stories, or you need to have a bunch of disconnected events and individuals, and allow the interactions of your players to build the story based off the things they choose to do or not do.

The World Needs To Move Without Them

I mentioned this concept back in Game Masters, Make Sure The Villains Aren't Just Sitting Around Waiting, but it's worth being repeated here. Because if you have an entire sandbox world, the player characters won't be able to respond to everything... so when they aren't involved, that also has consequences that can spiral out of control.

Consider Timbersong again. There's a cult in the forest trying to awaken the wrath of a genius loci to wipe out the town. There are pirates pillaging the coast. There are farmers being attacked by terrible beasts who lost their habitats. While it's possible for the party to solve all of these problems all at once, if they neglect something, or don't consider it worth their time, then it will come to a head without them.

For instance, if the party goes out to hunt pirates on the waters, they might find a bounty, and bring them down quickly, giving them the time to get back to Timbersong to deal with the cult. But if they're gone for too long due to storms, bad rolls, etc., then they might come back to a town that's been ruined by an angered spirit within the spring. Or, if they focus on the cult first, and then handle the pirates, by the time they come back to town they might find people deep in debt because the farms were overrun and all their food now has to be imported.

Or if the PCs chose to do an escort mission for a ship or a caravan, then they might hear about the uprising in Timbersong, or about how a disaster wiped it off the map, only for the survivors to be captured by pirates and sold into slavery.

It's a rough life on the bloody seas.

Now, the point is not that you need to give your players impossible decisions... the point is that for your sandbox to have meaning that there has to be a lot of stuff in it, and for the decisions your players make to have weight and gravitas. And while you might be able to tie various things together due to the players' actions (say they do capture a special cat from the forest, and it turns out to be able to talk. So now it can clue them in on secret knowledge of the cult, and the spring spirit, which they didn't have before because they did a seemingly pointless side quest), it needs to feel organic.

 

In other words, if you only have one bar, and it doesn't matter which one your players walk in they're getting the same NPCs and the same floor plan, that gamble only works if they don't realize you played switcheroo with them. Because if they feel you're just creating a Potemkin village that makes them feel like their actions have consequences, but really there's only ever been one path to walk, that's going to deeply disappoint people who showed up to play in a sandbox.

So yes, sandbox games require a lot more in terms of worldbuilding, NPCs, plot hooks, events, etc. But once you have all those things in place you can basically set the world in motion, and then just watch what your players choose to do, and ask how that affects the physics of the world that was already turning.

 

Harder to start, but fairly easy to keep running once you flick the switch and all the gears start running!

With that said, I would recommend checking out all of my 200+ TTRPG supplements that are largely meant to help you populate your game, and to be sure you save your brain power for the heavy lifting. You can take a look at this pinboard of all my supplements and games, but if you're looking to build a sandbox I would definitely suggest grabbing copies of:

- 100 Tips and Tricks For Being a Better Game Master

- Towns of Sundara

- 100 Character Goals and Motivations

- 100 Ways To Start a Campaign (That Aren't In a Tavern)

Like, Follow, and Stay in Touch!

That's all for this week's Crunch post! To stay on top of all my content and releases, make sure you subscribe to my newsletter at the bottom of the page!

Again, for more of my work, check out my Vocal archive, and stop by the Azukail Games YouTube channel, or the dark sci fi channel I contribute stories to, The A.L.I.C.E. Files! Or if you'd prefer to read some of my books, like my dystopian sci-fi thriller Old Soldiers, my hardboiled gangland noir series starring a bruiser of a Maine Coon with Marked Territory and Painted Cats, my sword and sorcery novel Crier's Knife or my latest short story collection The Rejects, then head over to My Amazon Author Page!

To stay on top of all my latest releases, follow me on Blue Sky, Facebook, Tumblr, Twitter, and now Pinterest as well! To support my work, consider Buying Me a Ko-Fi, or heading to The Literary Mercenary's Patreon page to become a regular, monthly patron. That one helps ensure you get more Improved Initiative, and it means you'll get my regular, monthly giveaways as a bonus!